To Veil or not to Veil: Tracing the Hijab in Contemporary Muslimah’s Writings

Authors

DOI:

https://doi.org/10.15408/mel.v2i2.35096

Keywords:

Hijab, Hybrid, Identity, Islam, Muslim Women Feminism

Abstract

This research examines the constructions of Muslimah or Muslim women's identity through the lens of religious clothing, specifically the hijab, as depicted in two contemporary Muslimah literary texts. Randa Abdal Fattah’s Does My Head Look Big In This? (2005) is a bildungsroman told from the perspective of a sixteen-year-old Australian-Palestinian Muslim girl who makes the life-changing decision to wear the hijab. The second novel is Leila Aboulela’s Minaret (2005), tracing the journey of a young female Sudanese immigrant in London who finds herself struggling socially, economically and culturally in a foreign country after leaving behind a life of affluence in Sudan. Using theories such as Homi K Bhabha’s Cultural Hybridity and Miriam Cooke’s Islamic Feminism, the article analyses the protagonists’ choice of veiling and the internal and external factors that influence this difficult decision. The analysis suggests that female hybrid identities in Western diasporic contexts are uniquely configured through religious and cultural markers like the hijab that forge feminist bonds and reignite connections to the Homeland and God. The decision to wear the hijab also helps counter Western stereotypes related to Islam and Muslim women. The hijab has also become a contentious issue in recent times. It is thus imperative to look closely at contemporary Muslimah literature that addresses this topic, especially those written by Muslimah authors. This research helps to reduce mainstream misrepresentation and contest stereotypes, thereby making space for newer ways of reading Muslim identities and feminist tendencies.

Author Biography

  • Neda Parvin Shaikh, Christ (deemed to be) University
    Neda Parvin Shaikh is currently a PhD researcher at the Department of English & Cultural Studies at Christ (deemed to be) University, Bangalore, India, studying literary feminisms in Lebanese war literature. She has worked briefly as Assistant Professor of English & Communication Studies after completing her Masters in English Literature from University of Mumbai. She has been involved in African Studies since 2018––an interest sparked by her formative years spent living in Zambia and Malawi. She works as a part time research assistant to Dr Renu Modi, Director & Professor, Centre for African Studies, University of Mumbai. As an independent researcher, she has worked on several internationally funded research projects in different capacities. Her major areas of interest include feminist studies (especially the intersections of religion/culture and women's resistances); African studies; literatures of the Global South; film studies and Popular Culture.

References

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Published

2023-12-31

How to Cite

To Veil or not to Veil: Tracing the Hijab in Contemporary Muslimah’s Writings. (2023). Muslim English Literature, 2(2), 105-118. https://doi.org/10.15408/mel.v2i2.35096