ANALISA SEKSISME LINGUISTIK TERBUKA PADA DIALOG PEREMPUAN DALAM FILM “10 THINGS I HATE ABOUT YOU, (500) DAYS OF SUMMER, DAN SUPERBAD ”

Manda Chrisencia Sihite, Kunto Adi Wibowo, Detta Rahmawan

Abstract


Abstract. This study analyzes sexist dialogue directed at female characters in romantic comedy films using a quantitative content analysis method. The research was conducted on three romantic comedies: "10 Things I Hate About You", "(500) Days of Summer", and "Superbad". The study aims to highlight the categories of sexist remarks present in romantic comedies. A reliability test was performed, showing a high agreement among coders in identifying categories of sexist dialogue. This research is expected to raise awareness about the representation of women in films and to identify the distribution of sexist dialogue in the media industry, particularly in the film industry.

 Abstrak. Penelitian ini menganalisis dialog seksis terhadap karakter perempuan dalam film komedi romantis dengan menggunakan metode analisis isi kuantitatif. Penelitian dilakukan terhadap tiga film komedi romantic yaitu, "10 Things I Hate About You," "(500) Days of Summer," dan "Superbad". Penelitian bertujuan sebagai sarana yang akan memperlihatkan adanya kategori terhadap perkataan seksis dalam film komedi romantic. Uji reliabilitas yang dilakukan, menunjukkan hasil kesepakatan yang tinggi antara para pemberi kode dalam mengidentifikasi kategori dialog seksis. Penelitian ini diharapkan dapat meningkatkan kepekaan terhadap representasi perempuan dalam film dan mengetahui pembagian perkotaan seksis yang diucapkan pada industri media, terutama pada industry film.

 


Keywords


dialogue; sexist; female representation; films; dialog; perkataan seksis; representasi perempuan; film

References


Begum, S. (2022). He Said, She Said: A Critical Content Analysis of Sexist language used in Disney’s The Little Mermaid (1989) and Mulan (1998). Journal of International Women’s Studies, 23.

Bhandari P. (2020). Population vs. Sample | Definitions, Differences & Examples.

Castillo J. (2009). Research Population. Explorerable.Com.

EM GRIFFIN, ANDREW LEDBETTER, & GLENN SPARKS. (2019). A FIRST LOOK AT COMMUNICATION THEORY (10th ed.). McGraw-Hill Education.

Eriyanto. (2013). Analisis Isi : Pengantar Metodologi Untuk Penelitian Ilmu Komunikasi dan Ilmu-Ilmu Sosial Lainnya.

Garnica, B. (2020). Linguistic Sexism and Society: A Woman’s Representation Through Language. Language. Text. Society, 7(2). https://ltsj.online/20

Hibberts, M. , B. J. R. , & H. K. (2012). Common Survey Sampling Techniques BT -Handbook of Survey Methodology for the Social Sciences. https://doi.org/https://doi.org/10.1007/978-1-4614-3876-2_5

Lacy, S. (n.d.). Analyzing Media Messages; Using Quantitative Content Analysis in Research; Fifth Edition.

Magalhães, C. (2021). THE PERCEPTION OF THE INFLUENCE OF FILMS ON SPIRITUALITY. MOVING TOWARDS A CULTIVATION THEORY PERSPECTIVE A PERCEPÇÃO DA INFLUÊNCIA DOS FILMES NA ESPIRITUALIDADE. AVANÇANDO PARA UMA PERSPECTIVA DA TEORIA DE CULTIVO RESUMO.

Mills. (2008). Language and Sexism.

Nurdiani, N. (2014). Teknik Sampling Snowball dalam Penelitian Lapangan. COMTECH, 5(2).

Nwaenyi, C. (2020). SEXIST LANGUAGE IN NOLLYWOOD MOVIES. In Interdisciplinary Journal of African and Asian Studies (IJAAS) (Vol. 6, Issue 2).

Popa, D., & Gavriliu, D. (2015). Gender Representations and Digital Media. Procedia - Social and Behavioral Sciences, 180, 1199–1206. https://doi.org/10.1016/j.sbspro.2015.02.244

Robin Tolmach Lakoff. (2004). Language and Woman’s Place. 2nd, 39–102.

Subhan Z., & Lembaga Kajian Humanis dan Feminis Islam (El-Kahfi). (2004). Kekerasan terhadap perempuan (Cet. 1).

Uwaecheghi, K., Oluwayemisi, O., & Onyenankeya, M. (2019). Sexism and Gender Profiling: Two Decades of Stereotypical Sexism and Gender Profiling: Two Decades of Stereotypical Portrayal of Women in Nollywood Films Portrayal of Women in Nollywood Films. https://vc.bridgew.edu/jiws


Full Text: PDF

DOI: 10.15408/harkat.v20i1.40727

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Manda Chrisencia Sihite

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.