Terbangan Menara Kudus: Musical Style, Community Perceptions, and Cultural Adaptation amid Socio-Cultural Change
DOI:
https://doi.org/10.15408/mimbar.v43i1.51345Keywords:
Terbangan Menara Kudus, Musical Style, Community Perceptions, Cultural Adaptation, Socio-Cultural ChangeAbstract
Traditional arts, such as Terbangan Menara in Kudus Regency, Indonesia, face both opportunities and challenges as a result of sociocultural shifts. This study looks at Terbangan Menara's musical style, community attitudes, and cultural adaptation in the face of sociocultural change. Twenty two purposefully chosen informants, including performers, cultural leaders, members of the community, young people, Yayasan Menara Makam Sunan Kudus (YM3SK) management, and regional cultural stakeholders, participated in a qualitative study. Interviews, observations, and documentation were used to gather data. The results demonstrate that Terbangan Menara maintains its own musical qualities while adjusting to modern advancements. It is distinguished musically by interlocking percussion harmonization, slow tempo changes from adagio to allegro, repeating ostinato rhythms in 4/4 meter, and a dramatic progression from mild to climax intensity. The vocal style employs harmonic minor and pentatonic melodic patterns performed collectively through sholawat chanting, accompanied by rebana instruments such as kemplong, telon, salahan, lajer, and jidur. The integration of Javanese rhythmic elements, Islamic lyrics, and call-and-response percussion reflects the acculturation of Islamic and Javanese traditions. Community perceptions are generally positive; however, modernization and changing youth entertainment preferences have reduced participation. Therefore, cultural education, youth involvement, musical innovation, and digital promotion are essential for sustaining Terbangan Menara as Kudus cultural heritage.
References
Ayu, N. A. C., & Bela, L. S. (2023). Perubahan Pola Pikir Generasi Muda Terhadap Budaya Tradisional Indonesia Dalam Perspektif Global. TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra, 03(03), 26–31.
Bohlman, P. V. (1988). Traditional Music and Cultural Identity: Persistent Paradigm In The History of Ethnomusicology. International Council for Traditional Music, 20(1), 26–42.
Chan, C. S. C., & Saidon, Z. L. (2021). Advocating for The Sustainability of Semai Indigenous Music Through The Collaborative Creation of New Traditional Music : A Participatory Action Research ( PAR ) Methodology. Harmonia: Journal of Arts Research and Education, 21(1), 9–22.
F, D. A. I., Djono, & Isawati. (2017). Nilai Historis Komplek Makam Sunan Kudus Sebagai Bahan Pengembangan Sumber Belajar Sejarah Lokal. Jurnal CANDI, 15(1), 76–90.
Fauzan, A. (2025). The Transformation of Traditional Culture in Responding to the Challenges of Globalization in Local Indonesian Communities. The Journal of Academic Science, 2(3), 1021–1030.
Hartanti, R. (2025). The Role of Music in Cultural Identity and Social Movements : A Systematic Literature Review. ISS (Journal of Interconnected Social Science). 4(1), 1–11.
Hess, J. (2009). The oral tradition in the Sankofa Drum and Dance Ensemble : student perceptions. Music Education Research, 11(1), 57–75. https://doi.org/10.1080/14613800802699556
Kurnaiwan, R. (2025). Music as Enculturation : The Holistic Relevance of John Blacking ’ s Perspective to Traditional Music Education in South Sulawesi. Geter, 8(2), 12–23.
Lam, N. D. (2023). Preserving Folk Music in Community Cultural Events as a Method of Preserving Traditional Heritage : A Case Study of the Ta Oi Ethnic Group in Thua Thien-Hue Province , Vietnam. Malaysian Journal of Music, 12(1), 34–47.
Liu, W. (2024). Identity in Sound Waves : The Interweaving of Immigrant Traditional Music and Pop Culture. Critical Humanistic Social Theory, 1(2), 1–9.
Lumbwe, K. (2013). Journal of the Musical Arts in Africa Indigenous mfunkutu and contemporary ubwinga ( wedding ) music of the Bemba-speaking people of Zambia : continuity and change. Journal of The Musical Arts in Africa, 10(March), 71–101. https://doi.org/10.2989/18121004.2013.846983
Maladi, A. (2017). Kesenian Tradisional Sebagai Sarana Strategi Kebudayaan di Tengah Determinasi Teknologi Komunikasi. Nusa, 12(1), 90–100.
Merwe, L. van der, & Morelli, J. (2022). Explaining How Community Music Engagement Facilitates Social Cohesion through Ritualised Belonging. riligions, 13(1), 1–14. https://doi.org/10.3390/ rel13121170
Miles, & Huberman, M. (1992). Analisis Data Kualitatif Buku Sumber Tentang Metode-Metode Baru. UIP.
Mukti, P. W., & Sinaga, S. S. (2021). The Existence Of Al-Madaris Terbangan Music In Pladen Village , Jekulo District , Kudus Regency. Jurnal Seni Musik, 10(1), 62–66.
Musthova, H., Ubaidillah, A. F., Shanti, N. N., & Hanifa, F. H. (2025). Social Challenges in The Era of Globalization: The Influence of Globalization On Local Identity and Culture in Klampok Hamlet Gunungkidul di Yogyakarta. Annual Conference on Community Engagement for Peaceful Transformation, 4(1), 301–309.
Novaryandana, M., Florentinus, T. S., & Utomo, U. (2020). The Preservation of the Terbang Papat Music at Ash-Shiddiqin Musalla in Kudus Regency. Catharsis : Journal of Arts Education, 9(3), 232–243. https://doi.org/https://doi.org/ 10.15294/ catharsis.v9i3.45272 23
Nuraini, R. (2022). The Existence of Terbangan Traditional Art From Ponorogo in the Middle of Popularity of Popular Culture. Proceeding of the 3rd International Conference on Islamic Studies (ICIS), 3(1), 307–317.
Phoasavadi, P. (2024). Krung Curatorial Practice and Creative Sustainability for Ethnic Music of Mountainous Villagers in Nan Province. Journal of Urban Culture Research, 28(1), 212–229.
Rosyid, M. (2019a). Islam dan Kearifan Lokal: Kajian Tradisi Khoul Sunan Kudus. Analisis: Jurnal Studi Keislaman, 19(2), 279–296.
Rosyid, M. (2019b). Urgensi pelestarian kauman menara kudus sebagai cagar budaya islam. Jurnal Sosioteknologi, 18(3), 381–199.
Rusnalasari, Z. D. (2025). Cultural Resilience in the Digital Era: A Qualitative Study on Traditional Music and Urban Adolescents in Makassar, Indonesia. Harmonia : Journal of Music and Arts, 3(3), 168–178.
Sadewo, R. G., Epria, I., & Putra, D. (2024). Regenerasi Kesenian Tradisional Senjang Kecamatan Muara Kelingi , Kabupaten Musi Rawas , Sumatera Selatan The Regeneration Of Senjang Traditional Art Muara Kelingi Sub- District , Musi Rawas District , South SUMATRA. Edumusika Jurnal Ilmiah Pendidikan Musik, 2, 176–189.
Salsabilah, A., & N, S. A. (2022). Kesenian Sebagai Cermin Identitas Budaya. TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra, 02(04), 21–26.
Suhaya, S., Rachman, A., Sinaga, S. S., & Alfayad, D. M. (2020). Percussion Pattern of Terebang Gede in Panggung Jati Studio , Panggung Jati Village , Serang. Harmonia: Journal of Art Research and Education, 20(2), 223–230.
Wadiyo, W., Haryono, S., & Indonesia, J. W. (2022). Traditional Javanese Songs: The Supporting Aspects of its Existence in the Local Society. Journal of Urban Culture Research, 24.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Muhammad Panji Wahyu Mukti, Syahrul Syah Sinaga, Eko Sugiarto

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.





