Khadra's Journey of Finding Her True Identity Across Different Cultures in Mohja Kahf's The Girl in the Tangerine Scarf

Ata Amrita Ikhtiyanti, Raissa Putri Azzahra

Abstract


The novel The Girl in the Tangerine Scarf tells the story of a Muslim woman, Khadra Shamy, living in a non-Muslim country, experiencing various cultural and value clashes. Mohja Kahf, the author of the novel, portrays Khadra's journey in trying to discover her true identity as a Muslim woman. This article discusses the formation of Khadra Shamy’s identity in America. The study applies a descriptive qualitative method using Stuart Hall's theory of identity. The article also takes a feminist approach to examine the issues related to women, as the process of identity formation cannot be separated from her status as a woman. The research findings show that, in her quest to find her true identity, there are barriers to women's rights, such as negative prejudice, stereotypes, the existence of a patriarchal society, and injustice. In her search for identity, she resists through several actions, including divorce, abortion, removing her hijab, and trying photography. The process of forming her identity as both an Arab and American Muslim is influenced by various factors, including the Islamic teachings from her parents, which were strict yet did not limit women’s rights, and photography, which allowed her to capture various objects and made her realize that there are many different perspectives in society.


Keywords


Identity formation, Muslim women, Immigrants, America

Full Text:

PDF

References


Al Alhareth, Y., Al Alhareth, Y., & Al Dighrir, I. (2015). Review of Women and Society in Saudi Arabia. American Journal of Educational Research, 3(2), 121–125. https://doi.org/10.12691/education-3-2-3

Bano, Dr. S. (n.d.). The Rise of Diasporic Muslim Writers in American Literature: Mohja Kahf, Khaled Hosseini, Asra Nomani & Samima Ali.

Cambridge Dictionary. (n.d.). Literature. https://dictionary.cambridge.org/dictionary/english/literature

Charef, M. (2022). A Crumbling Identity: Postmodernism, Individualism and the Diaspora in Mohja Kahf’s The Girl in the Tangerine Scarf. Aleph. Langues, Médias et Sociétés, 9(4), 14.

Chemmar, F. Z. (n.d.). Investigating Identity Construction in Mohja Kahf’s “The Girl in the Tangerine Scarf.”

Doumato, E. A. (2010). Saudi Arabia. In Womwn’s rights in the Middle East and North Africa: Progress Amid Resistance. Rowman & Littlefield Publisher, Inc.

Haddad, Y. Y., Smith, J. I., & Moore, K. M. (2006). Muslim Women in America: The Challenge of Islamic Identity Today. Oxford University Press.

Hall, S. (2000). Old and New Identities. In Culture, Globalization, and the World-System: Contemporary Conditions for the Representation of Identity. University of Minnesota Press.

Laher, S., Fynn, A., & Kramer, S. (Eds.). (2019). Transforming Research Methods in the Social Sciences: Case Studies from South Africa. Wits University Press. https://doi.org/10.18772/22019032750

Lambert, V. A., & Lambert, C. E. (2012). Qualitative Descriptive Research: An Acceptable Design. Pacific Rim International Journal of Nursing Research, 1(4), 255–256.

Lashley, K. (2013). Writing Body and Culture: Mohja Kahf’s The Girl in the Tangerine Scarf. Journal of American Studies of Turkey, 38, 49–64.

Ling, L. (n.d.). The Girl in the Tangerine Scarf: Diasporic Muslim Identities in Literary Representation.

Putri, G. R., & Harnadi, H. K. K. (2019). An analysis of lead of headline news heading on the Jakarta Post daily newspaper. Gesti Rabila Putri: 157010007.

Rezk, W. A. A. E. S. (2019). Self-discovery in Mohja Kahf’s The Girl in the Tangerine Scarf (2006). 67.

Badran, M. (2002). Islamic Feminism: What’s in a Name? Al-Ahram Weekly Online.

Barlas, A. (2001). Muslim women and sexual oppression: Reading liberation from the Quran. Macalester International, 10(1), 15.

Berrebbah, I. (2020). Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s The Girl in the Tangerine Scarf (2006). East-West Cultural Passage, 20(1), 29–51.

Bhabha, H. K. (2012). The location of culture. routledge.

Chambers, C. (2013). Countering the ‘Oppressed, Kidnapped Genre’of Muslim life writing: Yasmin Hai’s the making of Mr Hai’s daughter and Shelina Zahra Janmohamed’s love in a headscarf. Life Writing, 10(1), 77–96.

CHEMMAR, F. Z. (n.d.). Investigating Identity Construction in Mohja Kahf’s “The Girl in the Tangerine Scarf.”

Clyne, I. D. (2003). Muslim women: Some western fictions. In Muslim women in the United Kingdom and beyond (pp. 19–37). Brill.

Darraj, S. M. (2005). PERSONAL AND POLITICAL THE DYNAMICS OF ARAB AMERICAN FEMINISM. Http://Web. Mit. Edu/Cis/Www/Mitejmes, 158.

Handayani, R. (2022). Female Subjectivity in Mohja Kafh’s The Girl in the Tangerine Scarf. 279.

Hasan, A. G. (2002). American Muslims: The New Generation Second Edition. A&C Black.

Kahf, M. (2006). The girl in the tangerine scarf (1st Carroll & Graf ed). Carroll & Graf.

Lashley, K. (2013). Writing Body and Culture: Mohja Kahf’s The Girl in the Tangerine Scarf. Journal of American Studies of Turkey, 38, 49–64.

Makama, G. A. (2013). Patriarchy and gender inequality in Nigeria: The way forward. European Scientific Journal, 9(17).

Ouhiba, N. M. (2021). Beyond the Veil: Exploring Muslim Women’s Multidimensional Identities in Laila Aboulela’s The Translator and Mohja Kahf’s The Girl in the Tangerine Scarf. International Journal of English and Comparative Literary Studies, 2(5), 25–38.

Ruby, T. F. (2006). Listening to the voices of hijab. 29(1), 54–66.

Sulaiman, S., Quayum, M. A., & ABDUL MANAF, N. F. (2018). Negotiating Muslim Women’s Rights and Identity in American Diaspora Space: An Islamic Feminist Study of Kahf’s The Girl in the Tangerine Scarf. KEMANUSIAAN: The Asian Journal of Humanities, 25(1).

Zine, J. (2002). Muslim women and the politics of representation. American Journal of Islam and Society, 19(4), 1–22.




DOI: https://doi.org/10.15408/ltr.v3i2.30144

DOI (PDF): https://doi.org/10.15408/ltr.v3i2.30144.g15762

Refbacks

  • There are currently no refbacks.


Copyright (c) 2025 Ata Amrita Ikhtiyanti, Raissa Putri Azzahra